15:00
31 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Erasmus Huis - Capacity: 350 seats
Jl. H. R. Rasuna Said Kav. S-3 - Kuningan, T 524 1069
Across the Universe
M Aprisiyanto, 2004, 12 min.
Indonesia, Fiction
The Porcelain Doll
Péter Gárdos. 2005. 75 Min.
Hungary. Drama. Hongarian with English subtitles.
Based on three fairytales by the Hungarian fabulist Ervin Lázár, the earthy, lovable farmers of PORCELAIN DOLL live by their own laws.
There was once a village, somewhere in Hungary. More precisely: in Europe. Even more precisely: on planet Earth. The villagers who lived in this village are amiable and simple, yet cunning. From time to time strangers will come to the Village.
And it is then that all hell always breaks loose because strangers always brought death to the village. And destruction. And hate. And jealousy. And vanity. And shame. And lies.
In this Village, strangers always cause trouble… [Text and Picture: Film Uni Hungary]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Wednesday, October 31, 2007
A porcelánbaba (The Porcelain Doll)
Il Caimano (The Caiman)
15:00
31 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Centre Culturel Francais (CCF) - Capacity: 43 seats
Jl. Salemba Raya 25 - T 390 8585, 390 8580
Nanni Moretti, 2006, 112 min.
Italia, Comedy/Drama,
A skewering of Italian Prime Minister Silvio Berlusconi.
Age is the great leveller. It's also a huge joke, not for the muggins suffering its many humiliations, but for those who watch and wait. Failure is also funny, which is why it is impossible to make a comedy about success that isn't saccharine sweet, or a big fat lie.
Nanni Moretti's Il Caimano takes a sideway swipe at Berlusconi, which has proved wildly popular at the Italian box office. However, like all his movies, things are never as simple as they look. There are issues, sub plots, additional storylines weaving and waving their way through the infrastructure.
Copy picture
Bruno Bonomo (Silvio Orlando) is infamous for producing B-movie quickies, with titles like Lady Cop In Stilettos. After marrying the star of his last, worst film, he hasn't made a thing for 10 years. Now he is attempting to finance a low budget epic about Columbus after America, using bathtub galleons and a cast of twenties.
When his backers show him the door and his director, who hasn't worked for 25 years, walks off the set in a huff and his loyal secretary, the only one with any organisational skills, tells him he's in debt to the tune of 40,000 euros and his wife (Margherita Buy) demands a separation, most people would turn their faces to the wall. Not Bruno. He dives deeper into denial and clutches at the only straw within his grasp.
That straw is a script, thrust into his hand by a girl (Jasmine Trinca) with a baby at one of his public screenings. It is an angry left-wing satire on Berlusconi's record as Italy's political leader. Despite being attacked by critics for fascist leanings in his films in the past, he agrees to work with her.
At the same time, he is doing everything to save his marriage, telling elaborately inventive bedtime stories to their two boys, keeping everything light and fun in the hope that the thought of upsetting the family unit will make his wife change her mind.
Orlando's performance is so expressive and heartfelt that Bruno becomes an immensely sympathetic character. There are no villains, only people with separate agendas, and there is no message, only notes from a mid-life crisis.
The script is intelligent and inconclusive on a journey that switchblades from despair to hope to self-delusion, without ever losing a child's talent for play. [Reviewed By: Angus Wolfe Murray]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Camaron: When Flamenco Became Legend
15:00
31 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Pusat Kebudayaan Italia
Jl. HOS. Cokroaminoto No. 117
Menteng - T 392-7531
Ijinkan Aku Bernyanyi
Ananto Wibowo, 2006, 10 min.
Indonesia, Documentary
Camaron: When Flamenco Became Legend
Jaime Chávarri, 2005, 86 min.
Spain, Drama - Performing Arts and Biopic
The life of famous flamenco singer Jose Monge Cruz, also known as "Camaron de la Isla."
The film is divided into three periods: the discovery, confirmation and the recognition and farewell.
In each of them, Camarón de la Isla is surrounded by personages from flamenco culture such as Paco de Lucía, Tomatito, Manolo Caracol, Antonio Mairena, Paco Cepero...
They are mixed in with real artists such as guitarist Juan Parrilla, Enrique Pantoja and Jerez-born clappers Chícharo, Gregorio and El Bo.
The part of the movie reflecting his most prolific period presents lights and shadows reflected in his love affairs, his national and international recognition, the recording of albums that revolutionized the performance of flamenco, his wedding with Dolores la Chispa, flirting with drugs and his physical deterioration at a very early age. [Flamenco-world]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Vadászat angolokra (Hunting for Englishmen)
17:00
31 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Erasmus Huis - Capacity: 350 seats
Jl. H. R. Rasuna Said Kav. S-3 - Kuningan, T 524 1069
Djedjak Darah
M Aprisiyanto, 2004, 12 min.
Indonesia, Fiction
Hunting for Englishmen
Bertalan Bagó, 2005, 86 min.
Hungary. Drama. Hongarian with English subtitles.
A hunting party has assembled in Hungary in 1839; it includes an English engineer who may be a spy for the British Foreign Secretary.
The characters in this story are gathered as a group for a hunt in a place called Hungary. The group includes an English engineer who settled in Pressburg. He has daring ideas with which to achieve Hongarian economic progress and thereby the country’s independence. His enthusiasm is further energized by a secret, romantic affection felt towards one of the woman in the group.
The problem starts when the hunt got the attention of the Hapsburg secret service. It is 1839. It is nine years before the revolutions and wars of independence that will sweep through the continent, when Europe will again recognize a country that has always been around, but still doesn’t exist.
filmhu: How did the idea of this historic movie materialize?
B.B.: I found a memoir from the early 1800s by an English gentleman named Blackwall, who was visiting Hungary at the time. He was a railway engineer, he worked on the Trieste railway line, and he fell in love with Hungary and Hungarians – he even wrote a play about them. I found it very strange and interesting that an Englishman comes here and falls in love with this country: we’re in the 1830s, more than a decade before the revolution, when there was practically nothing here, it was a forlorn, backward country. That was my starting point – why did this Englishman come here? It was unclear whether had been sent here and was some kind of a spy – he was a relative of the English foreign minister at the time, so it is possible that he wrote his reports to him. We’re in the period following the Polish revolution crushed by the Russian tzar, when it was already clear that the wave of revolution will sweep over Europe – the political situation was quite tense in that period.
That was our starting point, we came up with a fictitious plot. The screenplay was written by Vilmos Csaplár, it is about an English engineer, who comes to Hungary because a count named a Falussy commissions him to construct a railway line leading to his stone quarry. The wife of this count is Polish by birth, she has a niece orphaned in the Polish war of independence, the Russian tzar had her entire family killed, so she comes to stay at the count’s estate in Hungary. They want to marry her to a Hungarian nobleman, Tarnai, but in the meantime, the English engineer arrives and the two fall in love. So we have a love triangle, plus the Austrian secret service is also spying on the inhabitants of the castle, since it is interested in the activities of rebel Hungarian noblemen.
filmhu: What did you find most interesting in this plot?
B.B.: I’m excited by everyhing that is old, classical, filtered by time – it had already happened, it’s past, nevertheless, if it still has similarities to the present day, it might hold a serious lesson for us. Like Cicero said: „history is the teacher of life.” We have a story from 150 years ago, which is so timely and topical that while you’re watching it, you realize that it could take place today, so it might have a stronger effect than making a film about a present-day political subject. The historic situation, the problems of society are very similar to the present, just as our relationship to Europe and the ways whe can develop. [Text and Picture: FilmHu]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Life and Lyrics
17:00
31 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Goethe Haus - Capacity: 301 seats
Jl. Sam Ratulangi 9 – 15, Menteng, Jakarta Pusat - T 2355 0208
Free as a Bird
Dessy Darmayanti, 2006, 8 min
Indonesia, Documentary
Life and Lyrics
Richard Laxton, 2005, 75 min.
UK, Musical Drama
Less 8 Mile, more 8 Mile End, this is an enjoyable, if predictable drama, with a superb performance by Walters.
Ashley Walters (from Bullet Boy) stars as DJ Danny Lewis, the leader of The Motion Crew, a group of South London rappers who are looking forward to besting their hated rivals the Hard Cash Crew in an upcoming rap battle (or rap off) in the prestigious Mic Masters competition. However, Danny complicates matters by falling for Carmen (Louise Rose), a singer who turns out to be related to the Hard Cash Crew.
Walters is superb, proving once again that he's one of Britain's most exciting young actors. There's also strong support from Chris Steward as Fable, Danny's best friend, who has a surprisingly moving subplot in which he tracks down his (white) mother, who gave him up for adoption.
Unsurprisingly, the music is excellent and the scenes of Danny and his crew jamming are exhilarating. Similarly, as with 8 Mile (the film's most obvious inspiration), the rap battle scenes are terrific and include quality slap-downs such as Let that go, you're in breach of your ASBO. [The ViewLondon Review]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Herkes Kendi Evinde (Away from Home)
17:00
31 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Pusat Kebudayaan Italia
Jl. HOS. Cokroaminoto No. 117
Menteng - T 392-7531
Away from Home
Semih Kaplanoglu, 2001, 110 min.
Turkey. 2001. Drama.
Turkish/English/Russian with English subtitles.
Three main characters are the core part of this film. Nasuhi who is returning to the homeland he left behind years ago. Selim who was selected in the lottery for American citizenship. And Olga, a Russian girl who has run away from home to search for her estranged father. Together these three strike out for the Aegean town that Nasuhi abandoned 50 years ago. So, let the drama begins.. [European Film Festival]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
L'ultimo Bacio (One Last Kiss)
19:00
31 Oktober 2007
Pusat Kebudayaan Italia
Jl. HOS. Cokroaminoto 117
Menteng - T 392-7531
karya Gabriele Muccino, 2001, 115 menit
Carlos (Stefano Accorsi) is a twenty-nine years old man, who works in an advertisement agency and has been living with his girlfriend Giulia (Giovanna Mezzogiorno) for three years. When she gets pregnant and he meets the delicious eighteen years old Francesca (Martina Stella), his relationship with Giulia have a crisis, since he is not ready to reach adulthood. Francesca has a crush and dreams on Carlos. His three best friends have also problems with their mates: Adriano (Giorgio Pasotti) has just had a son and has problems to take the responsibilities of the fatherhood, while his wife Livia (Sabrina Impacciatory) becomes very connected to the baby, neglecting their marriage; Alberto (Marco Cocci) has no ties with any woman, limiting to use them sexually; and Paolo (Claudio Santamaria) has a passion for his former lover. Meanwhile, Giulia's mother, Anna Stefania Sandrelli), has a middle-age crisis, jeopardizing her marriage.
"L'Ultimo Bacio" is a beautiful and delightful movie about relationship in different phases of life. The story is very intelligent and realistic, reaching characters of different ages to show the crisis that most of the persons pass along their lives in their relationship with their mates. Whose teenager has never had a passion for a man or woman, like the character of Francesca? And the doubts and insecurity about fatherhood or motherhood, like Carlos, Giulia, Adriano and Livia? And the love jealousy, like Paolo? And the middle age crisis, like Anna?
Therefore, the story certainly catch a phase in the life of the viewer himself or herself, and he or she will certainly identify the situation of a character as his or her own. The beauties of Giovanna Mezzogiorno, with her magnificent blue eyes, and Martina Stella, with her wonderful body and look, are another attraction in this lovely and highly recommended movie.
Yes I am!
19:30
31 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Goethe Haus - Capacity: 301 seats
Jl. Sam Ratulangi 9 – 15, Menteng, Jakarta Pusat - T 2355 0208
Yes I am!
Sven Halfar, 2006, 104 min
Germany, documentary portraits in an impressive and sensitive way the three Afro-German musicians Adé Bantu, D-Flame and Mamadee.
When Flame was sixteen, he left his parents’ place to live in a home where he learnt the gangsta trade.
When Mamadee was ten, the GDR collapsed, dashing her dreams of wearing the Thälmann pioneers’ red scarf.
When Adé was fifteen, his father was killed and he left Nigeria for Leverkusen.
All three grew up as German children of black fathers, and all three grew up without their fathers. But their paths never crossed till a black African was brutally killed by three youths in a park in Dessau. Following the murder, more than twenty of the best-known afro-German musicians joined up to found the band project "Brothers Keepers". They recorded the maxi Adriano (Letzte Warnung) and the album Lightkultur on which they were partnered by their female counterpart, “Sisters Keepers”. And they visited schools in East Germany to talk to the kids.
The film tells the story of Flame, Mamadee and Adé and the story of the Brothers Keepers. It tells of the power of music and shows how good it feels to raise one’s voice as a group. [picture: Filmstart]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Europe on Screen 2007
19:30
31 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Erasmus Huis - Capacity: 350 seats
Jl. H. R. Rasuna Said Kav. S-3
Kuningan, Jakarta Selatan
T 524 1069
11:59
Johan Kramer, Netherlands 2004, Short 8 Min
Caspian Bride
Veit Helmer, Germany 2005, Short 8 Min
Tragic Story with Happy Ending
Regina Pessoa, Portugal 2005, Short 7 Min
League of Legends
Jeffrey Elmont, Netherlands 2004, Short 12 Min
Mozart Minute
Austria 2006, Short 30 Min, Various Directors
11:59 — Khalid, a young Dutch-Moroccan man, makes a decision at 11:50 one morning that will change his life forever. The film is inspired by ongoing negative media attention on young Arabic people. Superhuman SteadyCam operator Tamas Nyerges shot 11:59 in a single, nine-minute take — setting a new record for European filmmaking.
Caspian Bride — A lonesome man takes a ride to a dump in search for usable things. Hidden under a lot of rubbish he finds an old mannequin. He takes her along to his hut, washes and clothes her and goes on a bike tour through the oil fields. When a group of children runs after him, he collides with a flock of sheep. The mannequin sinks in a puddle of oil. But at that moment he encounters his true love.
Tragic Story with Happy Ending — A little girl whose heart beat more quickly and louder than other people felt compelled to leave her house because she was disturbing her neighbours. She decided however to return to her home and she began noticing that little by little people got used to the beat of her heart…
League of Legends — This film is really just an excuse to show off the skills of its stars. And they are immensely talented, with quite magical skill.
A simple premise, perhaps inspired by TV adverts also starring Edgar Davids, but ultimately too simple, inadequately explored. I wanted more from the film than just showing off the talents of the cast. Those talents would be better served as half-time entertainment in the final of a major tournament.
There is minimal dialogue in the film; there's minimal acting really too. This sparsity helps focus on the skills on display; regrettably it also highlights how little happens in this short film.
Watch it anyway - or fly to Holland and seek out these people. They are something to behold.
Mozart Minute — 28 well-known filmmakers living and working in Austria were invited to produce associative miniatures on Mozart. They had to be one-minute art films.
The directors come from a broad spectrum of different backgrounds, ranging from animated, experimental short film to documentaries and features. As a result the Mozart Minutes represent an impressive cross section of the kind of films produced in Austria and a multifacetted sampler of formal and ontextual views of Mozart and his influence on modern society, art and culture.
[Picture: www.uni-eropa.org/film/]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Tuesday, October 30, 2007
Lisboetas
15:00
28 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Erasmus Huis - Capacity: 350 seats
Jl. H. R. Rasuna Said Kav. S-3 - Kuningan - T 524 1069
Lisboetas
Sérgio Tréfaut, 2004, 100 min.
Portugal, Drama
This is one of the most widely seen documentary film in Portugal. Winner of the best Portuguese Film in the IndieLisboa 2004 Festival.
Lisbon is a city built over hills. You walk by the river, in front of the Pombal illumined downtown, built on the wreckage of 1755's earthquake and you can view down-up the whole historical centre, protected by the castle. Beautiful view. Go up, reach that castle, and look down, the opposite view, embraced by the river, also great, also gorgeous. The light is special, every cinema lover should know that, Wenders knows it (Lisbon Story). The colors are soft pale yellow, water pink, roofs argyle red. When you get to the castle, pick up a pair of field-glasses, overview the city, look to the other side of the river, and closely the old parts. yellow becomes, vivid blue, you'll get black and white, high contrasts, and a city that doesn't come in postcards. Through those field-glasses, you'll see this film.
Lisbon, multi-cultural, multi-layered city. Many languages, many cultures, many differences. I'm glad i got to watch this one just a few days after Alice. The world depicted here is the world that makes Alice possible. This informs the world of Alice. The depiction of immigration as, at the same time, one of the most natural phenomena in our global times and one of the most system exploited ones is the theme that conducts us through the lives of various immigrants, giving us the full portrait, the unmasking of vanities, feelings of progress and happy futures. Of course this is uneven. It has beautiful art shots, in simple great combination of music, routine sounds, off voice narration and real life shots. But it also has highly zoomed no cinematic quality scenes, useful but artless, or scenes filmed in an almost amateur way. Of course... But it holds a special place for what it shows and for the problems it depicts.
It's built with boards, episodes, character discontinuity, racial discontinuity, language discontinuity, color discontinuity, mood discontinuity. Such as big cities are today.
This is not artless, and Tréfaut knows what he does. Watch it, and keep Alice on your side, for higher cinematic affairs. [ruiresende84]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
L'Ile de Black Mor (The Island of Black Mor)
15:00
30 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Pusat Kebudayaan Italia
Jl. HOS. Cokroaminoto No. 117 - Menteng - T 392-7531
Kwek
Mandegani Duniarto, 2006, 14 min.
Indonesia, Animation
L'Ile De Black Mor
Jean-François Laguionie, 2004, 85 min
France. Animation. French with English subtitles.
Kid, a 15-year-old hard laborer, steals a map that promises to reveal the location of the notorious pirate Black Mor's treasure.
I was pleasantly surprised to watch such a good french animation movie this year. Unfortunately it looks like it hasn't got the audience it deserved. I think that's because it's completely different from what the french have been making lately. First, on technical terms ( rather dark flat tints with no shades) and then, from the story line (a mere pirate story without much action, but interesting though).
The hero, called "the kid", is struggling with problems and doubts any teenager has, and that is precisely what the movie is focusing on. Thus, too young children will not be able to understand everything. Actually i have been glad to watch, at last, a french animated film meant for people over 7! This is rare enough to be noticed, and that is why i advise everyone to take a look at it, whether they like "les triplettes" (which i found ridiculous and pathetically slow...) and "kirikou" or not. - Dhomochevsky from france [picture: Cinebel.be]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Filantropica (Philanthropique)
15:00
30 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Centre Culturel Francais (CCF) - Capacity: 43 seats
Jl. Salemba Raya 25 - T 390 8585, 390 8580
Nae Caranfil, 2002, 110 min
Romania, Comedy
Ovidiu Gorea is a jaded, mid-40s, high-school teacher and novice writer, still living with his parents. He has just published a collection of short stories called 'Nobody Dies For Free', that the bookstores reject because no one buys it.
The high school principal asks him to deal with a problem-student, Robert. Ovidiu has Robert call one of his parents for talks, but the boy sends his sister, Diana, a gorgeous teenager, instead. Ovidiu is smitten. He convinces Diana to go on a date with him, but what he thinks will be a quiet evening over coffee turns into a bar-hopping binge that leaves him nearly broke.
One night, he meets a shabby-looking drunk beggar who offers to recite poems in exchange for vodka. The two start talking and Ovidiu learns that the guy makes two or three times more money than him in a month out of this. He asks for an explanation and the beggar refers him to the Filantropica Foundation.
Located in a desolate basement, the Filantropica Foundation is actually the lair of Bucharest's beggars' leader, Pavel Puiuţ. A former convict, he realized that begging leads nowhere "unless there is a touching story behind the hand that begs", so he created an organized network of beggars, each with an invented, tear-jerking, background story that yields millions. Puiuţ listens to Ovidiu's story and thinks he is perfect for his new "project".
He pairs Ovidiu with Miruna, his secretary, and sends them to high-profile restaurants, where, in collusion with a waiter, they pose as a couple of poor teachers celebrating their wedding anniversary who find, at the end of their dinner, that they don't have enough money to cover the check; Ovidiu is responsible with making a scene that would struck a chord with one of the rich people present, who would pick up their check out of pity; later, out in the back, Ovidiu, Miruna and the waiter would split the money.
After several such performances, Ovidiu makes enough money to impress the material Diana. He rents a roadster, takes her to lakeshore clubs, his sole purpose being sleeping with her. The reluctant Puiuţ even gives him access to the foundation's "show-house" (a day-rental house meant to impress third-parties), but a poorly-timed customer call gives Ovidiu's cover away and an angry Diana leaves him.
Meanwhile, Miruna falls for her partner in crime and is angry that he keeps "bitching" about that "bimbo", instead of going for a "real woman". She manages to get him into her bed and Ovidiu is surprised to find out she is a former prostitute.
The scam goes terribly wrong when Ovidiu and Miruna go to a karaoke bar, where their scene has no effect and the waiter, who is not in on it, takes Ovidiu to the back and beats him. Puiuţ then unveils the grand purpose of his "project": he sets the unsuspecting Ovidiu to appear with Miruna "in character" on a popular TV night show and tell the karaoke bar beating story; he then calls, pretends of being revolted and announces that his foundation has opened an account for people who want to offer money for the "poor teachers".
Meanwhile, in school, Ovidiu is visited by two thugs who ask him about Robert, who owes $3,000 to "a person" and who only has two days to make good. Ovidiu withdraws the amount from the foundation's account, calls Diana and gives her the money for her brother. She pretends being impressed and teases Ovidiu by telling him to visit her later that night. Naturally, she deceives him once more, by leaving the city in the afternoon. To top it off, Ovidiu finds Robert in a park, turned into a beggar, who tells him that "Diana" was not his sister, just some "chick".
Now $3,000 short, Ovidiu goes home to find the media and Puiuţ claiming he has just won the big prize in the lottery. It is again one of Puiuţ's scams, who reminds Ovidiu he "has him" because of the $3,000. Ovidiu accepts his fate and Miruna as his wife.
The movie has an ominous ending, with Puiuţ finding Robert in the street, convincing him to join his operation and then breaking the fourth wall: "Do you feel pity for this piece of trash? Hah! Got your money!".[Picture: www.mooviees.com]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
След края на света (After The End of The World)
15:00
30 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Goethe Haus - Capacity: 301 seats
Jl. Sam Ratulangi 9 – 15, Menteng, Jakarta Pusat - T 2355 0208
After The End of The World
Ivan Nichev, 1998, 104 min
Bulgaria. Drama. German with English subtitles.
A funny and woeful story, resembling an old Jewish anecdote, aiming to wrap a comical framework around the dark side of life.
Albert Cohen, an Israeli historian of the Byzantine period, flies to a professional conference in Bulgaria. Here he meets Araksi, an Armenian piano instructor and his first love from the days when Bulgarians, Jews, Armenians, Greeks, Romanians and Turks lived together peacefully in the southern Bulgarian town of Plovdiv.
During those distant days, the Orthodox Priest Isai, the Rabbi Ben David and the Mullah Ibrahim knew that they were praying to the same God. All three men of the cloth were also in love with the same woman, Zulfie, of Turkish extraction. This idyll was destroyed by the socialist regime. The Turks and Romanians were resettled elsewhere, the Jews left for Israel, and Araksi's family was detained after they tried to flee to Paris.
Despite the long years of separation, the relations between Albert and Araksi are still warm. But the landscape of their childhood remains locked in photos of Costas, an old Greek who still lives in Plovdiv. While Albert meets his old friends, a lawyer working for the mafia does everything possible to take control of Albert's old family home...
Ivan Nichev is a graduate of the Lodz Film School and is foremost among Bulgarian directors. His film moves between past and present, against the background of beautiful and picturesque Plovdiv. After the End of the World is a call for humanity and love-not out of naivete or a misunderstanding of reality, but from a deep and sincere sadness. Any thinking person understands that even the fall of communism cannot bring the beauty of those days. Shown at the Jerusalem Film Fest, July 1999, and made its US premiere at the SF Jewish FF in July 1999. Stars the leading Bulgarian actor Stefan Danailov. [picture: The BritishFilms Catalogue]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Les Mauvais Joueurs (Gamblers)
17:00
30 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Erasmus Huis - Capacity: 350 seats
Jl. H. R. Rasuna Said Kav. S-3 - Kuningan - T 524 1069
Your Learn is very God
Ivan Handoyo, 2004, 3 min.
Indonesia, Documentary
Les Mauvais Joueurs
Frederic Balekdjian, 2005, 85 min
France. Drama. French with English subtitles.
Eager to make a better living hustling on the mean streets of the Paris garment district, Vahe (Pascal Elbe) finds he may lose everything when he tries to negotiate a financial dispute between his ex-girlfriend's brother and the gang that smuggled him into the country. Talks break down, and with the threat of violence looming large, Vahe is forced to choose between competing loyalties.
The last time a French film exploded with such raw energy was when Mathieu Kassovitz debuted with La Haine in 1995. This is writer/director Frederic Balekdijan's first feature, also, and it uses the same neo-realistic style, with handheld cameras close in and on the streets. There isn't a whiff of falsehood, or evidence of a set designer's duster. Even the script has the rough-cut unpredictability of real life.
It deals with card sharks, street scams, petty crime, backed by an uglier, darker crowd of Armenian thugs. This is the Paris of immigrants, sweat shops, cafes and illegals. Chinese, North Africans, Eastern European gangsters coexist in a barely sustainable truce. Sooner or later a spark will ignite the tinderbox and someone will be killed. Followed by revenge attacks. Followed by God knows what else. In this no-go, gendarmes are noticeable by their absence.
Copy picture
Vahe's Chinese girlfriend has just dropped him and he finds himself babysitting her teenage brother, not because he has to, but the kid can't speak the language, is hot headed and liable to do himself harm. Their relationship is a mixture of resentment and affection, which leads them into danger.
Stories and characters move swiftly. There is no conventional plot, only the time it takes to rip the lid off the powder keg and somehow survive. Or not.
Cliches and sentimentality die at this level. Neo-realism has an artistic integrity, aligned to good taste. Gamblers, like La Haine, breathes its own fumes in a place where there is no translation for words like "taste" and "art."
- Angus Wolfe Murray [picture: Cinebel.be]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Almost Adult
17:00
30 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Goethe Haus - Capacity: 301 seats
Jl. Sam Ratulangi 9 – 15, Menteng, Jakarta Pusat - T 2355 0208
Nyanyian dari Surga
Eddie Cahyono, 2006, 10 min.
Indonesia, Fiction
Almost Adult
Yousaf Ali Khan, 2006, 75 min
UK. Drama. English.
The story of two teenage girls who come from different countries and speak different languages but still become each other's family.
Ttwo girls meet at a bus station in Birmingham after arriving in the UK as unaccompanied minors in search of asylum. Mamie, the elder of the two, takes Shiku under her wing. In doing so, she resolves to be the younger girl's big sister.
The girls try to adjust to their new lives. Many things seem strange and alarming to them. Shiku in particular is having real difficulty fitting in with her new family.
She is suffering from the after affects of the loss of her family back home and the traumatic things that happened to her on her journey to the UK. No one can properly understand what she has been through. No one but Mamie.[picture: The BritishFilms Catalogue]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Zozo
17:00
30 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Centre Culturel Francais (CCF) - Capacity: 43 seats
Jl. Salemba Raya 25 - T 390 8585, 390 8580
Zozo
Josef Fares, 2005, 103 min.
Sweden, Drama. Swedish/Arabic with English subtitles.
Zozo has been put forward as Sweden's contribution to the forthcoming Oscar nominations in the Best Foreign Language Film category. Left orphaned by the Lebanese civil war, young Zozo’s determined to join his grandparents in Sweden. Once he arrives, his adjustment is complicated by cultural barriers and haunting memories.
ZOZO depicts the physical and psychological journey of a ten year old boy. From a raging civil war in Beirut in which he loses all his family, to Sweden, an unknown country where he faces a complex and completely different type of society. Sweden does not become the paradise that Zozo has dreamt of. Zozo’s journey reminds us that there is a dramatic personal story behind every entry in the refugee statistics, stories containing often-unimaginable experiences.
However, Zozo’s story also shows us the world from a child’s perspective where imagination blends with reality and dreams sometimes can be a haven from sorrow and despair. [Picture: Svenska Film Institutet]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Gönül Yarasi (Lovelorn)
17:00
30 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Pusat Kebudayaan Italia
Jl. HOS. Cokroaminoto No. 117 - Menteng - T 392-7531
Lovelorn
Yavuz Turgul, 2005, 115 min.
Turkey, Drama, Turkish/Kurdish with English subtitles.
An elderly man falls for a younger woman with a troubled past. This drama was selected as Turkey's Official Entry to the 2006 Academy Awards..
Nazim (Sener Sen) is a teacher who left his native Istanbul to work at a school in a small Kurdish village in Turkey. After 15 years, Nazim retires from his work and returns home, only to find Istanbul is a very different place than it was when he went away.
Nazim reacquaints himself with several of his old friends, including fellow former academic Takoz (Sumer Tilmac), and when Nazim discovers he's going to have to wait several months before he can begin receiving pension payments, Takoz arranges for him to get a job as a cab driver.
As Nazim rides the streets of Istanbul's rougher neighborhoods at night, he makes friends with one of his regular fares, Dunya (Meltem Cumbul), an aspiring nightclub chanteuse. Dunya left her abusive husband, Halil (Timucin Esen), to make her way on her own, taking their young daughter with her, and Nazim feels protective toward the singer and her little girl.
However, Halil isn't about to leave his wife without a fight, and things become more difficult when Nazim becomes smitten with Dunya.
Lovelorn (aka Gonul Yarasi) received its North American premiere at the 2005 New York Turkish Film Festival. ~ Mark Deming, All Movie Guide
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
En Garde (On Guard)
19:30
30 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Goethe Haus - Capacity: 301 seats
Jl. Sam Ratulangi 9 – 15, Menteng, Jakarta Pusat - T 2355 0208
Kara, Anak Sebatang Pohon
Edwin, 2005, 9 Min
Indonesia, Drama
En Garde
Ayşe Polat, 2004, 94 min
Germany, drama
an unusual film about coming-of-age and a moving story about two girls’ friendship, their hopes and dreams and their favorite game: fencing.
Alice is 16 years old and an introverted girl with a special ability: she hears extraordinary good. When her mother sends her to a Catholic foster home, she remains an outsider in a group of self-confident teenage girls.
Only Berivan, a Kurdish refugee who seeks for asylum in Germany, tries to learn more about Alice. They finally become close friends, but Berivan's relationship to an Albanian guy destroys the girls' friendship... [Written by fippi2000 Picture: www.filmportal.de]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Extranjeras (Foreign Women)
19:30
30 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Erasmus Huis - Capacity: 350 seats
Jl. H. R. Rasuna Said Kav. S-3
Kuningan, Jakarta Selatan
T 524 1069
Indonesian Workers in England
Zeke Khaseli, 2004, 7 min
Indonesia, Documentary
Extranjeras
Helena Taberna, 2003, 75 min.
Spain, Documentary, Spanish with English subtitles.
Extranjeras focuses on women immigrants. The phenomenon of immigration has become an everyday subject of today's media. EXTRANJERAS shows the least known and most typical aspects of other cultures through the experience of various immigrant women living in Madrid. Here we are given the chance to know what happens to their dreams and where their affections lie. [European Film Festival]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Caterina Va in Citta (Caterina in the big city)
19:30
30 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Pusat Kebudayaan Italia
Jl. HOS. Cokroaminoto No. 117
Menteng - T 392-7531
Cuma WC
Wendy, Delia, Ati & Natalia, 2006, 6 Min
Indonesia, Documentary,
Caterina in the big city
Paolo Virzi, 2003, 99 min.
Italia, a fluffy and fun coming-of-age-in-Rome comedy.
Giancarlo (Sergio Castellitto) is delighted when he has an opportunity to leave his provincial teaching job and drag his wife Agata (Margherita Buy) and 12-year old daughter Caterina (newcomer Alice Teghil) back to his old neighborhood in Rome.
Caterina is a sweet, naïve, and pretty girl, and on her first day of school, she finds herself mocked as a hick. Her classmates are the sons and daughters of Rome's elite. Margherita's (Carolina Iaquaniello) parents are prominent intellectuals, and she leads a faction of bohemian socialist kids, while Daniella's father is a political heavyweight, and her preppy clique dresses in designer duds and espouses right-wing politics.
Poor Caterina finds the two opposing factions battling over her allegiance, but every time she makes a new friend, her father fouls things up. Giancarlo, who is also an aspiring novelist, spends his evenings at home ranting about the elites and their devious, cliquish ways, but every time he's in the presence of an important person, he desperately tries to ingratiate himself and get his talents noticed.
Meanwhile, he's drifting into depression and isolating himself from his wife and daughter. Caterina in the Big City was shown at New York City's Walter Reade Theater in 2004 as part of a Sergio Castellitto retrospective presented by the Film Society of Lincoln Center. ~ Josh Ralske, All Movie Guide
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Europe on Screen 2007
19:30
30 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Centre Culturel Francais (CCF) - Capacity: 43 seats
Jl. Salemba Raya 25 - T 390 8585, 390 8580
11:59
Johan Kramer, Netherlands 2004, Short 8 Min
Caspian Bride
Veit Helmer, Germany 2005, Short 8 Min
Tragic Story with Happy Ending
Regina Pessoa, Portugal 2005, Short 7 Min
League of Legends
Jeffrey Elmont, Netherlands 2004, Short 12 Min
Mozart Minute
Austria 2006, Short 30 Min, Various Directors
11:59 — Khalid, a young Dutch-Moroccan man, makes a decision at 11:50 one morning that will change his life forever. The film is inspired by ongoing negative media attention on young Arabic people. Superhuman SteadyCam operator Tamas Nyerges shot 11:59 in a single, nine-minute take — setting a new record for European filmmaking.
Caspian Bride — A lonesome man takes a ride to a dump in search for usable things. Hidden under a lot of rubbish he finds an old mannequin. He takes her along to his hut, washes and clothes her and goes on a bike tour through the oil fields. When a group of children runs after him, he collides with a flock of sheep. The mannequin sinks in a puddle of oil. But at that moment he encounters his true love.
Tragic Story with Happy Ending — A little girl whose heart beat more quickly and louder than other people felt compelled to leave her house because she was disturbing her neighbours. She decided however to return to her home and she began noticing that little by little people got used to the beat of her heart…
League of Legends — This film is really just an excuse to show off the skills of its stars. And they are immensely talented, with quite magical skill.
A simple premise, perhaps inspired by TV adverts also starring Edgar Davids, but ultimately too simple, inadequately explored. I wanted more from the film than just showing off the talents of the cast. Those talents would be better served as half-time entertainment in the final of a major tournament.
There is minimal dialogue in the film; there's minimal acting really too. This sparsity helps focus on the skills on display; regrettably it also highlights how little happens in this short film.
Watch it anyway - or fly to Holland and seek out these people. They are something to behold.
Mozart Minute — 28 well-known filmmakers living and working in Austria were invited to produce associative miniatures on Mozart. They had to be one-minute art films.
The directors come from a broad spectrum of different backgrounds, ranging from animated, experimental short film to documentaries and features. As a result the Mozart Minutes represent an impressive cross section of the kind of films produced in Austria and a multifacetted sampler of formal and ontextual views of Mozart and his influence on modern society, art and culture.
[Picture: www.uni-eropa.org/film/]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Monday, October 29, 2007
Il fare politica
13:00
10 November 2007
Festival des festivals 2006
Film-film dokumenter pemenang berbagai festival di Prancis
CCF - Pusat Kebudayaan Perancis
Jl. Wijaya I No. 48, Kebayoran Baru, T 720 8133
Il fare politica, 1982-2004 Chronique de la Toscane rouge
karya Hugues Le Paige, 2005, 86 menit, teks Inggris
Dari masa keemasan partai komunis Italia hingga naiknya Berlusconi dalam pemerintahan, Hugues Le Paige mengumpulkan 20 tahun sejarah dari 4 militan komunis dari sebuah desa di Toscana.[pictures: Editionsmontparnasse]
Rozhovor s nepriatelom (Meeting the Enemy)
15:00
29 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Goethe Haus - Capacity: 301 seats
Jl. Sam Ratulangi 9 – 15, Menteng, Jakarta Pusat - T 2355 0208
Meeting the Enemy
Patrik Lancaric, 2006, 126 min.
Slovakia, Drama, Slovak with English subtitles.
Operatically extended for its subject matter, this is a visually arresting yet cumulatively wearying morality play in which a German soldier and his partisan prisoner wander a snowy landscape near World War II's end.
Story is based on the autobiographical novel by partisan fighter Leopold Arje Friedmann, who wrote under the pen name "Leopold Lahola" and was active in 1960's Prague Spring lensing revival prior to his sudden 1968 death.
Pic's first half finds the soldier (Alexander Barta) being grilled by an incredulous Russian commissar (Boris Farkas), who demands over and over again to know how the grunt escaped. Second half illustrates the standoff, as German trooper Kampen (co-scripter Marko Igonda) debates the conflict with his prisoner in rugged, snowbound terrain.
Extended finale underscores the allegorical nature of the proceedings.
"To kill is the biggest offense," one says, underscoring the philosophical debate. Tech package is impressively eccentric, though arduous location work is undermined by claustrophobic close-ups and repetitive antiwar themes. [by Eddie Cockrell]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Nous nous sommes tant haïs (After Years of Hate)
15:00
29 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Centre Culturel Francais (CCF) - Capacity: 43 seats
Jl. Salemba Raya 25 - T 390 8585, 390 8580
After Years of Hate
Franck Apprédéris, 2006, 120 min
EC, Post‑war Franco‑German reconciliation - historical drama
The action unfolds between 9 May 1950, the day of Robert Schuman's declaration, and 10 August 1952, when Jean Monnet was appointed president of the European coal and steel community's governing body, the forerunner of today's EU. It was also the wedding day of Marie and Jürgen, a young Franco-German couple.
The film adroitly mixes fact (Jean Monnet, Robert Schuman, Konrad Adenauer, etc.) and fiction (Marie, Jürgen, their families and friends). The constant interplay between these two aspects mirrors the difficulties at that time of overcoming the obstacles to reconciliation between the two European nations.
Dealing with the birth of modern Europe, the film shows us the extent of the struggle by men and women on either side of the Rhine that led to the peace and freedom we enjoy today.
Modern Europe was born 50 years ago. "How we hated each other!" is an appointment with this watershed moment in European history.[Picture: European Commission]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
L'Ile de Black Mor (The Island of Black Mor)
17:00
29 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Goethe Haus - Capacity: 301 seats
Jl. Sam Ratulangi 9 – 15, Menteng, Jakarta Pusat - T 2355 0208
Kwek
Mandegani Duniarto, 2006, 14 min.
Indonesia, Animation
L'Ile De Black Mor
Jean-François Laguionie, 2004, 85 min
France. Animation. French with English subtitles.
Kid, a 15-year-old hard laborer, steals a map that promises to reveal the location of the notorious pirate Black Mor's treasure.
I was pleasantly surprised to watch such a good french animation movie this year. Unfortunately it looks like it hasn't got the audience it deserved. I think that's because it's completely different from what the french have been making lately. First, on technical terms ( rather dark flat tints with no shades) and then, from the story line (a mere pirate story without much action, but interesting though).
The hero, called "the kid", is struggling with problems and doubts any teenager has, and that is precisely what the movie is focusing on. Thus, too young children will not be able to understand everything. Actually i have been glad to watch, at last, a french animated film meant for people over 7! This is rare enough to be noticed, and that is why i advise everyone to take a look at it, whether they like "les triplettes" (which i found ridiculous and pathetically slow...) and "kirikou" or not. - Dhomochevsky from france [picture: Cinebel.be]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Les Mauvais Joueurs (Gamblers)
17:00
29 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Centre Culturel Francais (CCF) - Capacity: 43 seats
Jl. Salemba Raya 25 - T 390 8585, 390 8580
Your Learn is very God
Ivan Handoyo, 2004, 3 min.
Indonesia, Documentary
Les Mauvais Joueurs
Frederic Balekdjian, 2005, 85 min
France. Drama. French with English subtitles.
Eager to make a better living hustling on the mean streets of the Paris garment district, Vahe (Pascal Elbe) finds he may lose everything when he tries to negotiate a financial dispute between his ex-girlfriend's brother and the gang that smuggled him into the country. Talks break down, and with the threat of violence looming large, Vahe is forced to choose between competing loyalties.
The last time a French film exploded with such raw energy was when Mathieu Kassovitz debuted with La Haine in 1995. This is writer/director Frederic Balekdijan's first feature, also, and it uses the same neo-realistic style, with handheld cameras close in and on the streets. There isn't a whiff of falsehood, or evidence of a set designer's duster. Even the script has the rough-cut unpredictability of real life.
It deals with card sharks, street scams, petty crime, backed by an uglier, darker crowd of Armenian thugs. This is the Paris of immigrants, sweat shops, cafes and illegals. Chinese, North Africans, Eastern European gangsters coexist in a barely sustainable truce. Sooner or later a spark will ignite the tinderbox and someone will be killed. Followed by revenge attacks. Followed by God knows what else. In this no-go, gendarmes are noticeable by their absence.
Copy picture
Vahe's Chinese girlfriend has just dropped him and he finds himself babysitting her teenage brother, not because he has to, but the kid can't speak the language, is hot headed and liable to do himself harm. Their relationship is a mixture of resentment and affection, which leads them into danger.
Stories and characters move swiftly. There is no conventional plot, only the time it takes to rip the lid off the powder keg and somehow survive. Or not.
Cliches and sentimentality die at this level. Neo-realism has an artistic integrity, aligned to good taste. Gamblers, like La Haine, breathes its own fumes in a place where there is no translation for words like "taste" and "art."
- Angus Wolfe Murray [picture: Cinebel.be]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Am anderen Ende der Brücke (For All Eternity)
19:30
29 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Centre Culturel Francais (CCF) - Capacity: 43 seats
Jl. Salemba Raya 25 - T 390 8585, 390 8580
For All Eternity
Mei Hu, 2003, 86 min.
Austria, Drama, English and Chinese with English subtitles.
Based on the lives of Viennese citizen Gertrude Wagner and Chinese policeman Du Chengrong, this inspiring love story was directed by Mei Hu, one of the only well-known women directors in China's fifth generation.
Fanny Ebner (Nina Proll) is 18 and beautiful when she meets Ma Yunlong (Wang Zhiwen), and soon the two are madly in love.
Fanny defies her friends and family by following her lover to China, where they are married, but their happiness is attenuated by the onset of political strife, and Yunlong is captured and sent to a prison camp.
Nonetheless, their love survives the decades, maintaining a level of intensity and passionate commitment that defies all odds. [Picture: Location Austria]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Gönül Yarasi (Lovelorn)
19:30
28 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Pusat Kebudayaan Italia
Jl. HOS. Cokroaminoto No. 117 - Menteng - T 392-7531
Lovelorn
Yavuz Turgul, 2005, 115 min.
Turkey, Drama, Turkish/Kurdish with English subtitles.
An elderly man falls for a younger woman with a troubled past. This drama was selected as Turkey's Official Entry to the 2006 Academy Awards..
Nazim (Sener Sen) is a teacher who left his native Istanbul to work at a school in a small Kurdish village in Turkey. After 15 years, Nazim retires from his work and returns home, only to find Istanbul is a very different place than it was when he went away.
Nazim reacquaints himself with several of his old friends, including fellow former academic Takoz (Sumer Tilmac), and when Nazim discovers he's going to have to wait several months before he can begin receiving pension payments, Takoz arranges for him to get a job as a cab driver.
As Nazim rides the streets of Istanbul's rougher neighborhoods at night, he makes friends with one of his regular fares, Dunya (Meltem Cumbul), an aspiring nightclub chanteuse. Dunya left her abusive husband, Halil (Timucin Esen), to make her way on her own, taking their young daughter with her, and Nazim feels protective toward the singer and her little girl.
However, Halil isn't about to leave his wife without a fight, and things become more difficult when Nazim becomes smitten with Dunya.
Lovelorn (aka Gonul Yarasi) received its North American premiere at the 2005 New York Turkish Film Festival. ~ Mark Deming, All Movie Guide
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Polleke
19:30
29 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Goethe Haus - Capacity: 301 seats
Jl. Sam Ratulangi 9 – 15, Menteng, Jakarta Pusat - T 2355 0208
Metu Getih
Heru C Wibowo, 2006, 10 Min
Indonesia, Drama
Polleke
Ineke Houtman, 2003, 95 min
Netherlands, drama
Polleke is an ordinary 11 year old girl, wich makes her life and thoughts so extraordinary.
Polleke is an ordinary 11 year old girl raised by her single mom and always defending her drug-addicted dad. She wants to be a poet and is in love with Mimoun, a Maroccan boy in her class, with Africa eyes.
Take the time to see this film and you won't regret it: It's funny, moving and full of great characters and even greater dialogue. It's a love story, a coming of age story, a feel good movie and an educational one .[Written by Sillysil Picture: Deutsches Filminstitut]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Sunday, October 28, 2007
L'Ile de Black Mor (The Island of Black Mor)
13:00
28 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Centre Culturel Francais (CCF) - Capacity: 43 seats
Jl. Salemba Raya 25 - T 390 8585, 390 8580
Kwek
Mandegani Duniarto, 2006, 14 min.
Indonesia, Animation
L'Ile De Black Mor
Jean-François Laguionie, 2004, 85 min
France. Animation. French with English subtitles.
Kid, a 15-year-old hard laborer, steals a map that promises to reveal the location of the notorious pirate Black Mor's treasure.
I was pleasantly surprised to watch such a good french animation movie this year. Unfortunately it looks like it hasn't got the audience it deserved. I think that's because it's completely different from what the french have been making lately. First, on technical terms ( rather dark flat tints with no shades) and then, from the story line (a mere pirate story without much action, but interesting though).
The hero, called "the kid", is struggling with problems and doubts any teenager has, and that is precisely what the movie is focusing on. Thus, too young children will not be able to understand everything. Actually i have been glad to watch, at last, a french animated film meant for people over 7! This is rare enough to be noticed, and that is why i advise everyone to take a look at it, whether they like "les triplettes" (which i found ridiculous and pathetically slow...) and "kirikou" or not. - Dhomochevsky from france [picture: Cinebel.be]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Extranjeras (Foreign Women)
13:00
28 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Pusat Kebudayaan Italia
Jl. HOS. Cokroaminoto No. 117 - Menteng - T 392-7531
Indonesian Workers in England
Zeke Khaseli, 2004, 7 min
Indonesia, Documentary
Extranjeras
Helena Taberna, 2003, 75 min.
Spain, Documentary, Spanish with English subtitles.
Extranjeras focuses on women immigrants. The phenomenon of immigration has become an everyday subject of today's media. EXTRANJERAS shows the least known and most typical aspects of other cultures through the experience of various immigrant women living in Madrid. Here we are given the chance to know what happens to their dreams and where their affections lie. [European Film Festival]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Caterina Va in Citta (Caterina in the big city)
13:00
28 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Goethe Haus - Capacity: 301 seats
Jl. Sam Ratulangi 9 – 15, Menteng, Jakarta Pusat - T 2355 0208
Cuma WC
Wendy, Delia, Ati & Natalia, 2006, 6 Min
Indonesia, Documentary,
Caterina in the big city
Paolo Virzi, 2003, 99 min.
Italia, a fluffy and fun coming-of-age-in-Rome comedy.
Giancarlo (Sergio Castellitto) is delighted when he has an opportunity to leave his provincial teaching job and drag his wife Agata (Margherita Buy) and 12-year old daughter Caterina (newcomer Alice Teghil) back to his old neighborhood in Rome.
Caterina is a sweet, naïve, and pretty girl, and on her first day of school, she finds herself mocked as a hick. Her classmates are the sons and daughters of Rome's elite. Margherita's (Carolina Iaquaniello) parents are prominent intellectuals, and she leads a faction of bohemian socialist kids, while Daniella's father is a political heavyweight, and her preppy clique dresses in designer duds and espouses right-wing politics.
Poor Caterina finds the two opposing factions battling over her allegiance, but every time she makes a new friend, her father fouls things up. Giancarlo, who is also an aspiring novelist, spends his evenings at home ranting about the elites and their devious, cliquish ways, but every time he's in the presence of an important person, he desperately tries to ingratiate himself and get his talents noticed.
Meanwhile, he's drifting into depression and isolating himself from his wife and daughter. Caterina in the Big City was shown at New York City's Walter Reade Theater in 2004 as part of a Sergio Castellitto retrospective presented by the Film Society of Lincoln Center. ~ Josh Ralske, All Movie Guide
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Polleke
13:00
28 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Erasmus Huis - Capacity: 350 seats
Jl. H. R. Rasuna Said Kav. S-3 - Kuningan - T 524 1069
Metu Getih
Heru C Wibowo, 2006, 10 Min
Indonesia, Drama
Polleke
Ineke Houtman, 2003, 95 min
Netherlands, drama
Polleke is an ordinary 11 year old girl, wich makes her life and thoughts so extraordinary.
Polleke is an ordinary 11 year old girl raised by her single mom and always defending her drug-addicted dad. She wants to be a poet and is in love with Mimoun, a Maroccan boy in her class, with Africa eyes.
Take the time to see this film and you won't regret it: It's funny, moving and full of great characters and even greater dialogue. It's a love story, a coming of age story, a feel good movie and an educational one .[Written by Sillysil Picture: Deutsches Filminstitut]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Vadászat angolokra (Hunting for Englishmen)
15:00
28 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Goethe Haus - Capacity: 301 seats
Jl. Sam Ratulangi 9 – 15, Menteng, Jakarta Pusat - T 2355 0208
Djedjak Darah
M Aprisiyanto, 2004, 12 min.
Indonesia, Fiction
Hunting for Englishmen
Bertalan Bagó, 2005, 86 min.
Hungary. Drama. Hongarian with English subtitles.
A hunting party has assembled in Hungary in 1839; it includes an English engineer who may be a spy for the British Foreign Secretary.
The characters in this story are gathered as a group for a hunt in a place called Hungary. The group includes an English engineer who settled in Pressburg. He has daring ideas with which to achieve Hongarian economic progress and thereby the country’s independence. His enthusiasm is further energized by a secret, romantic affection felt towards one of the woman in the group.
The problem starts when the hunt got the attention of the Hapsburg secret service. It is 1839. It is nine years before the revolutions and wars of independence that will sweep through the continent, when Europe will again recognize a country that has always been around, but still doesn’t exist.
filmhu: How did the idea of this historic movie materialize?
B.B.: I found a memoir from the early 1800s by an English gentleman named Blackwall, who was visiting Hungary at the time. He was a railway engineer, he worked on the Trieste railway line, and he fell in love with Hungary and Hungarians – he even wrote a play about them. I found it very strange and interesting that an Englishman comes here and falls in love with this country: we’re in the 1830s, more than a decade before the revolution, when there was practically nothing here, it was a forlorn, backward country. That was my starting point – why did this Englishman come here? It was unclear whether had been sent here and was some kind of a spy – he was a relative of the English foreign minister at the time, so it is possible that he wrote his reports to him. We’re in the period following the Polish revolution crushed by the Russian tzar, when it was already clear that the wave of revolution will sweep over Europe – the political situation was quite tense in that period.
That was our starting point, we came up with a fictitious plot. The screenplay was written by Vilmos Csaplár, it is about an English engineer, who comes to Hungary because a count named a Falussy commissions him to construct a railway line leading to his stone quarry. The wife of this count is Polish by birth, she has a niece orphaned in the Polish war of independence, the Russian tzar had her entire family killed, so she comes to stay at the count’s estate in Hungary. They want to marry her to a Hungarian nobleman, Tarnai, but in the meantime, the English engineer arrives and the two fall in love. So we have a love triangle, plus the Austrian secret service is also spying on the inhabitants of the castle, since it is interested in the activities of rebel Hungarian noblemen.
filmhu: What did you find most interesting in this plot?
B.B.: I’m excited by everyhing that is old, classical, filtered by time – it had already happened, it’s past, nevertheless, if it still has similarities to the present day, it might hold a serious lesson for us. Like Cicero said: „history is the teacher of life.” We have a story from 150 years ago, which is so timely and topical that while you’re watching it, you realize that it could take place today, so it might have a stronger effect than making a film about a present-day political subject. The historic situation, the problems of society are very similar to the present, just as our relationship to Europe and the ways whe can develop. [Text and Picture: FilmHu]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
След края на света (After The End of The World)
15:00
28 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Centre Culturel Francais (CCF) - Capacity: 43 seats
Jl. Salemba Raya 25 - T 390 8585, 390 8580
After The End of The World
Ivan Nichev, 1998, 104 min
Bulgaria. Drama. German with English subtitles.
A funny and woeful story, resembling an old Jewish anecdote, aiming to wrap a comical framework around the dark side of life.
Albert Cohen, an Israeli historian of the Byzantine period, flies to a professional conference in Bulgaria. Here he meets Araksi, an Armenian piano instructor and his first love from the days when Bulgarians, Jews, Armenians, Greeks, Romanians and Turks lived together peacefully in the southern Bulgarian town of Plovdiv.
During those distant days, the Orthodox Priest Isai, the Rabbi Ben David and the Mullah Ibrahim knew that they were praying to the same God. All three men of the cloth were also in love with the same woman, Zulfie, of Turkish extraction. This idyll was destroyed by the socialist regime. The Turks and Romanians were resettled elsewhere, the Jews left for Israel, and Araksi's family was detained after they tried to flee to Paris.
Despite the long years of separation, the relations between Albert and Araksi are still warm. But the landscape of their childhood remains locked in photos of Costas, an old Greek who still lives in Plovdiv. While Albert meets his old friends, a lawyer working for the mafia does everything possible to take control of Albert's old family home...
Ivan Nichev is a graduate of the Lodz Film School and is foremost among Bulgarian directors. His film moves between past and present, against the background of beautiful and picturesque Plovdiv. After the End of the World is a call for humanity and love-not out of naivete or a misunderstanding of reality, but from a deep and sincere sadness. Any thinking person understands that even the fall of communism cannot bring the beauty of those days. Shown at the Jerusalem Film Fest, July 1999, and made its US premiere at the SF Jewish FF in July 1999. Stars the leading Bulgarian actor Stefan Danailov. [picture: The BritishFilms Catalogue]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Almost Adult
15:00
28 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Erasmus Huis - Capacity: 350 seats
Jl. H. R. Rasuna Said Kav. S-3 - Kuningan - T 524 1069
Nyanyian dari Surga
Eddie Cahyono, 2006, 10 min.
Indonesia, Fiction
Almost Adult
Yousaf Ali Khan, 2006, 75 min
UK. Drama. English.
The story of two teenage girls who come from different countries and speak different languages but still become each other's family.
Ttwo girls meet at a bus station in Birmingham after arriving in the UK as unaccompanied minors in search of asylum. Mamie, the elder of the two, takes Shiku under her wing. In doing so, she resolves to be the younger girl's big sister.
The girls try to adjust to their new lives. Many things seem strange and alarming to them. Shiku in particular is having real difficulty fitting in with her new family.
She is suffering from the after affects of the loss of her family back home and the traumatic things that happened to her on her journey to the UK. No one can properly understand what she has been through. No one but Mamie.[picture: The BritishFilms Catalogue]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Tytto sina olet tahti (Beauty and the Bastard)
15:00
27 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Pusat Kebudayaan Italia
Jl. HOS. Cokroaminoto No. 117 - Menteng - T 392-7531
Find a Beautiful Place
Vera Lestafa & Dwiandhika CD, 2006, 15 min
Indonesia, Documentary
Beauty and the Bastard
Dome Karukoski, 2005, 102 min.
Finland, Musical Drama
An aspiring singer and a dejected DJ find their tenuous relationship may benefit them both if they can look past their creative aspirations far enough
Finnish musical drama "Beauty and the Bastard," about opposites attracting, is plagued by its own internal conflicts. Strong in verbal content but romantically naive, the film seems destined to have trouble finding its targeted teen viewers. Best bet for this hip-hop Romeo and Juliet is an American remake, which, wouldn't seem out of the question given its familiar musical genres and dramatic motifs, and roles that would appeal to tyro Hollywood stars.
Nelli (Pamela Tola, frosty), a talented, privileged brat looking to be the next Beyonce meets Sune (Samuli Vauramo), a promising but uncompromising rap DJ in the offices of a major record companyBut the characters are not sympathetic enough to drive a love story; when opportunity knocks, their instincts are to climb over each other to answer.Dishearteningly, Sune who at first resists the siren song of commercialism eventually comes 'round to Nelli's point of view. Compromise, after all, is what love is all about. Tech credits are unremarkable. [Jon Anderson]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Perl Oder Pica (Little Secrets)
17:00
28 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Centre Culturel Francais (CCF) - Capacity: 43 seats
Jl. Salemba Raya 25 - T 390 8585, 390 8580
Harap Tenang, Ada Ujian
Ifa Isfansyah, 2006, 16 min.
Indonesia, Fiction
Little Secrets
Pol Cruchten, 2006, 86 min
Luxembourg. Drama. Luxembourg with English subtitles.
Director: Pol Cruchten
The kind of movie that’s unafraid to show a dad and son impulsively deciding to skip happily down the street, Pol Cruchten’s sixth feature suggests that Luxembourg’s unfairly neglected film industry, straddling France, Belgium, and Germany, could turn out to be next year’s cinematic discovery.
A witty but guardedly nostalgic look back to Luxembourg in 1962, Little Secrets (Perl Oder Pica) follows how the secrets of adulthood are gradually revealed to Norbi, impish twelve-year-old son of a disciplinarian typewriter merchant (Perl and Pica are the two font choices, in U.S. terms Pica and Elite).
Crass altar boy by day (estimating the tips he’ll earn serving at funerals), he’s a miserable bedwetter by night who gives pep talks to his bladder (“No puddles tonight!”), alas with little success. Trying to crack a mysterious code of secret references in his father’s account books, Norbi must also endure his mother’s excruciatingly solicitous talk about the birds and the bees (though he later sneaks into a porn movie which we watch reflected on his cornea, as handsomely and imaginatively shot by Jerzy Palacz).
Hard as it is to credit that anything real happened before he was born, Norbi also discovers that his town still harbors resentments about wartime Nazi collaborators and that an Italian couple are early harbingers of the coming wave of immigrants who will soon outnumber the natives of the grand duchy. [picture: The BritishFilms Catalogue]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Rozhovor s nepriatelom (Meeting the Enemy)
19:30
28 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Pusat Kebudayaan Italia
Jl. HOS. Cokroaminoto No. 117
Menteng - T 392-7531
Meeting the Enemy
Patrik Lancaric, 2006, 126 min.
Slovakia, Drama, Slovak with English subtitles.
Operatically extended for its subject matter, this is a visually arresting yet cumulatively wearying morality play in which a German soldier and his partisan prisoner wander a snowy landscape near World War II's end.
Story is based on the autobiographical novel by partisan fighter Leopold Arje Friedmann, who wrote under the pen name "Leopold Lahola" and was active in 1960's Prague Spring lensing revival prior to his sudden 1968 death.
Pic's first half finds the soldier (Alexander Barta) being grilled by an incredulous Russian commissar (Boris Farkas), who demands over and over again to know how the grunt escaped. Second half illustrates the standoff, as German trooper Kampen (co-scripter Marko Igonda) debates the conflict with his prisoner in rugged, snowbound terrain.
Extended finale underscores the allegorical nature of the proceedings.
"To kill is the biggest offense," one says, underscoring the philosophical debate. Tech package is impressively eccentric, though arduous location work is undermined by claustrophobic close-ups and repetitive antiwar themes. [by Eddie Cockrell]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Vidange perdue (The Only One)
19:30
28 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Goethe Haus - Capacity: 301 seats
Jl. Sam Ratulangi 9 – 15, Menteng, Jakarta Pusat - T 2355 0208
Klayaban
Farishad I Latjuba, 2005, 15 min
Indonesia, drama
The Only One
Geoffrey Enthoven, 2006, 88 min.
Belgium, Drama
"Vidange Perdue" is a Belgian expression which is best translated as "empties are not refunded" This movie is the story of an old man who can't accept that he's growing older and who revolts against the absurdity of life.
To an outsider he's just another grumpy eighty-year-old who is often extremely cantankerous and obstinate and of little or no interest at all. What others fail (or don't even bother) to see is that this man cannot accept the fact that there is a constant negation by others of his own unique personality and that the elderly in general are constantly patronized by their immediate surroundings as if they suffered from an ever increasing form of dementia.
Lucien Knops' struggle against all these preconceived notions regarding old people is courageous but also comical at times as is illustrated by his letters of pure outrage to the newspaper and his attempts at amorous escapades.A real turning point in his life is his encounter with his neighbor.
This lady not only prompts him to go on being his true self but opens doors for him to the future which he himself would never have thought of unbolting. When at the end of the movie he visits his favorite grand child in Paris, he knows the future will remain uncertain.
He sees himself on a long voyage or maybe even spending his remaining days as a tramp. Whatever the future holds in store, he will confront it as he himself: the unique Lucien Knops.
The movie was filmed in short alternating scenes and all the actors, without exception, deliver a high quality performance. [Picture: Bergamo Film Meeting]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Lisboetas
19:30
28 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Erasmus Huis - Capacity: 350 seats
Jl. H. R. Rasuna Said Kav. S-3
Kuningan, Jakarta Selatan
T 524 1069
Lisboetas
Sérgio Tréfaut, 2004, 100 min.
Portugal, Drama
This is one of the most widely seen documentary film in Portugal. Winner of the best Portuguese Film in the IndieLisboa 2004 Festival.
Lisbon is a city built over hills. You walk by the river, in front of the Pombal illumined downtown, built on the wreckage of 1755's earthquake and you can view down-up the whole historical centre, protected by the castle. Beautiful view. Go up, reach that castle, and look down, the opposite view, embraced by the river, also great, also gorgeous. The light is special, every cinema lover should know that, Wenders knows it (Lisbon Story). The colors are soft pale yellow, water pink, roofs argyle red. When you get to the castle, pick up a pair of field-glasses, overview the city, look to the other side of the river, and closely the old parts. yellow becomes, vivid blue, you'll get black and white, high contrasts, and a city that doesn't come in postcards. Through those field-glasses, you'll see this film.
Lisbon, multi-cultural, multi-layered city. Many languages, many cultures, many differences. I'm glad i got to watch this one just a few days after Alice. The world depicted here is the world that makes Alice possible. This informs the world of Alice. The depiction of immigration as, at the same time, one of the most natural phenomena in our global times and one of the most system exploited ones is the theme that conducts us through the lives of various immigrants, giving us the full portrait, the unmasking of vanities, feelings of progress and happy futures. Of course this is uneven. It has beautiful art shots, in simple great combination of music, routine sounds, off voice narration and real life shots. But it also has highly zoomed no cinematic quality scenes, useful but artless, or scenes filmed in an almost amateur way. Of course... But it holds a special place for what it shows and for the problems it depicts.
It's built with boards, episodes, character discontinuity, racial discontinuity, language discontinuity, color discontinuity, mood discontinuity. Such as big cities are today.
This is not artless, and Tréfaut knows what he does. Watch it, and keep Alice on your side, for higher cinematic affairs. [ruiresende84]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Gönül Yarasi (Lovelorn)
19:30
28 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Centre Culturel Francais (CCF) - Capacity: 43 seats
Jl. Salemba Raya 25 - T 390 8585, 390 8580
Lovelorn
Yavuz Turgul, 2005, 115 min.
Turkey, Drama, Turkish/Kurdish with English subtitles.
An elderly man falls for a younger woman with a troubled past. This drama was selected as Turkey's Official Entry to the 2006 Academy Awards..
Nazim (Sener Sen) is a teacher who left his native Istanbul to work at a school in a small Kurdish village in Turkey. After 15 years, Nazim retires from his work and returns home, only to find Istanbul is a very different place than it was when he went away.
Nazim reacquaints himself with several of his old friends, including fellow former academic Takoz (Sumer Tilmac), and when Nazim discovers he's going to have to wait several months before he can begin receiving pension payments, Takoz arranges for him to get a job as a cab driver.
As Nazim rides the streets of Istanbul's rougher neighborhoods at night, he makes friends with one of his regular fares, Dunya (Meltem Cumbul), an aspiring nightclub chanteuse. Dunya left her abusive husband, Halil (Timucin Esen), to make her way on her own, taking their young daughter with her, and Nazim feels protective toward the singer and her little girl.
However, Halil isn't about to leave his wife without a fight, and things become more difficult when Nazim becomes smitten with Dunya.
Lovelorn (aka Gonul Yarasi) received its North American premiere at the 2005 New York Turkish Film Festival. ~ Mark Deming, All Movie Guide
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Saturday, October 27, 2007
Caterina Va in Citta (Caterina in the big city)
13:00
27 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Pusat Kebudayaan Italia
Jl. HOS. Cokroaminoto No. 117 - Menteng - T 392-7531
Cuma WC
Wendy, Delia, Ati & Natalia, 2006, 6 Min
Indonesia, Documentary,
Caterina in the big city
Paolo Virzi, 2003, 99 min.
Italia, a fluffy and fun coming-of-age-in-Rome comedy.
Giancarlo (Sergio Castellitto) is delighted when he has an opportunity to leave his provincial teaching job and drag his wife Agata (Margherita Buy) and 12-year old daughter Caterina (newcomer Alice Teghil) back to his old neighborhood in Rome.
Caterina is a sweet, naïve, and pretty girl, and on her first day of school, she finds herself mocked as a hick. Her classmates are the sons and daughters of Rome's elite. Margherita's (Carolina Iaquaniello) parents are prominent intellectuals, and she leads a faction of bohemian socialist kids, while Daniella's father is a political heavyweight, and her preppy clique dresses in designer duds and espouses right-wing politics.
Poor Caterina finds the two opposing factions battling over her allegiance, but every time she makes a new friend, her father fouls things up. Giancarlo, who is also an aspiring novelist, spends his evenings at home ranting about the elites and their devious, cliquish ways, but every time he's in the presence of an important person, he desperately tries to ingratiate himself and get his talents noticed.
Meanwhile, he's drifting into depression and isolating himself from his wife and daughter. Caterina in the Big City was shown at New York City's Walter Reade Theater in 2004 as part of a Sergio Castellitto retrospective presented by the Film Society of Lincoln Center. ~ Josh Ralske, All Movie Guide
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Nous nous sommes tant haïs (After Years of Hate)
13:00
27 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Erasmus Huis - Capacity: 350 seats
Jl. H. R. Rasuna Said Kav. S-3, T 524 1069
After Years of Hate
Franck Apprédéris, 2006, 120 min
EC, Post‑war Franco‑German reconciliation - historical drama
The action unfolds between 9 May 1950, the day of Robert Schuman's declaration, and 10 August 1952, when Jean Monnet was appointed president of the European coal and steel community's governing body, the forerunner of today's EU. It was also the wedding day of Marie and Jürgen, a young Franco-German couple.
The film adroitly mixes fact (Jean Monnet, Robert Schuman, Konrad Adenauer, etc.) and fiction (Marie, Jürgen, their families and friends). The constant interplay between these two aspects mirrors the difficulties at that time of overcoming the obstacles to reconciliation between the two European nations.
Dealing with the birth of modern Europe, the film shows us the extent of the struggle by men and women on either side of the Rhine that led to the peace and freedom we enjoy today.
Modern Europe was born 50 years ago. "How we hated each other!" is an appointment with this watershed moment in European history.[Picture: European Commission]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Extranjeras (Foreign Women)
13:00
27 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Centre Culturel Francais (CCF) - Capacity: 43 seats
Jl. Salemba Raya 25 - T 390 8585, 390 8580
Indonesian Workers in England
Zeke Khaseli, 2004, 7 min
Indonesia, Documentary
Extranjeras
Helena Taberna, 2003, 75 min.
Spain, Documentary, Spanish with English subtitles.
Extranjeras focuses on women immigrants. The phenomenon of immigration has become an everyday subject of today's media. EXTRANJERAS shows the least known and most typical aspects of other cultures through the experience of various immigrant women living in Madrid. Here we are given the chance to know what happens to their dreams and where their affections lie. [European Film Festival]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
25 degrés en hiver (25 Degrees In Winter)
13:00
27 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Goethe Haus - Capacity: 301 seats
Jl. Sam Ratulangi 9 – 15, Menteng, Jakarta Pusat - T 2355 0208
Peronika
Bowo Leksono, 2004, 13 min
Indonesia, short film
25 Degrees In Winter
Stephane Vuillet, 2003, 92 min.
Belgium, Drama, French with some dialogues in Spanish, Russian and Dutch with English subtitles.
25 Degrees In Winter is a rarity - a family film with an edge, a love story without sugar, a screwball comedy without rolling of the eyes, and a multi-layered look at how migrants are used, abused and ultimately necessary in today's society.
Miguel (Jacques Gamblin) is a single Belgian dad working for his brother's travel agency. But while he's definitely the lone parent in his home equation, he lives in hope that his wife will one day return after she's sought her fame and fortune as a singer in America. She doesn't write (to him), she doesn't call, and deep down Miguel knows that she's chosen a better life over her family. But if for not other reason than to keep his daughter's spirits up, Miguel maintains the lifestyle of a man waiting for his wife to come bak from holiday.
That is, until he encounters a woman (Ingeborga Dapkunaite) hiding in the backseat of his van. Her name is Sonia, and she's recently escaped from detention on the evening she was supposed to be deported back to her native Ukraine. Sonia wants to find her husband who, like Miguel's wife, left years earlier in search of a better existence elsewhere.
Miguel may be a screw up, but he's also a decent guy, so before long he's taking Maria all over town in search of her long lost man, as his mother (Carmen Maura) and daughter cling to every word in the back seat, while his boss roars down the cell phone, his gangster landlord hunts him down for rent, and the cops seem to be around every corner in search of Sonia.
25 Degrees in Winter is a beautiful movie that continually threatens to get out of hand, yet never does. Throwing together a variety of peopple from all walks of life, it succeeds in showing the audience not only how awfully migrants are treated in many countries, but also how we're all migrants from somewhere. As Miguel's mother casts aspersions at Sonia for being an illegal, Miguel points out the she herself was in the exact same situation once, while at the same time Miguel's boss is rushing his own illegal staff members out the back door to avod the 'workplace inspectors'.
To be able to paint both the heroes or the piece and the supposed villains as all being victim of the same situation, director Stephane Vuillet and writers Pedro Romero and Stephane Malandrin have weaved the kind of story that makes an audience not only laugh along and cheer in theright spots, but also look at themselves and wonder whether this imaginary line that separates us all really does make 'us' better than 'them'. When a migrant gets their papers and becomes 'one of us', don't they then look down on those who have yet to make the same journey? And those of us looking down on the newly arrived or those on the other side who long to be amongst us, aren't we simply the result of people like them who got here first?
To think that a country as 'civilized' as Belgium has the same problem with people longing to leave for the next big step up as, say, the Ukraine does, really makes you think about the world. What makes our home better? And do we really appreciate what we have and what our ancestors went through to get us there? After 25 Degrees in Winter, I sure as heck do. Great stuff. [byChris Parry]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
En Garde (On Guard)
15:00
27 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Erasmus Huis - Capacity: 350 seats
Jl. H. R. Rasuna Said Kav. S-3 - T 524 1069
Kara, Anak Sebatang Pohon
Edwin, 2005, 9 Min
Indonesia, Drama
En Garde
Ayşe Polat, 2004, 94 min
Germany, drama
an unusual film about coming-of-age and a moving story about two girls’ friendship, their hopes and dreams and their favorite game: fencing.
Alice is 16 years old and an introverted girl with a special ability: she hears extraordinary good. When her mother sends her to a Catholic foster home, she remains an outsider in a group of self-confident teenage girls.
Only Berivan, a Kurdish refugee who seeks for asylum in Germany, tries to learn more about Alice. They finally become close friends, but Berivan's relationship to an Albanian guy destroys the girls' friendship... [Written by fippi2000 Picture: www.filmportal.de]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Kalteva torni (The Leaning Tower)
15:00
27 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Centre Culturel Francais (CCF) - Capacity: 43 seats
Jl. Salemba Raya 25 - T 390 8585, 390 8580
Yah… Begitulah Kehidupan
Kurnia Harta Winata, 2006, 4 min.
Indonesia, Animation
The Leaning Tower
Timo Koivusalo, 2006, 96 min.
Finland, Comedy, Finnish with English subtitles.
It is the story of a benevolent man who does not know he has multiple personalities. His greatest fear is that he will not be able to see the Leaning Tower of Pisa before it falls.
THE LEANING TOWER is a film about a turning point where dreams become memories. There are five billion people in the world and as many ways of surviving in life. This is one of them. What happens when two people live inside one man, but only one of them is aware of the other? A kind man, who suffers from a life-curtailing personality disorder, is building a leaning tower from wooden discs in the park of a mental hospital. An older woman, a former ballerina who once toured Europe’s opera stages and wants to see the scenes of her early life’s dreams. In the search of her past, she promises to take her granddaughter to see the leaning tower in Italy. Thus, begins an incredible journey in which the threesome ends up in the middle of Europe. [Picture: www.skandinavische-filmtage.d]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Am anderen Ende der Brücke (For All Eternity)
15:00
27 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Goethe Haus - Capacity: 301 seats
Jl. Sam Ratulangi 9 – 15, Menteng, Jakarta Pusat - T 2355 0208
For All Eternity
Mei Hu, 2003, 86 min.
Austria, Drama, English and Chinese with English subtitles.
Based on the lives of Viennese citizen Gertrude Wagner and Chinese policeman Du Chengrong, this inspiring love story was directed by Mei Hu, one of the only well-known women directors in China's fifth generation.
Fanny Ebner (Nina Proll) is 18 and beautiful when she meets Ma Yunlong (Wang Zhiwen), and soon the two are madly in love.
Fanny defies her friends and family by following her lover to China, where they are married, but their happiness is attenuated by the onset of political strife, and Yunlong is captured and sent to a prison camp.
Nonetheless, their love survives the decades, maintaining a level of intensity and passionate commitment that defies all odds. [Picture: Location Austria]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Perl oder Pica (Little Secrets)
15:00
27 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Pusat Kebudayaan Italia
Jl. HOS. Cokroaminoto No. 117 - Menteng - T 392-7531
Harap Tenang, Ada Ujian
Ifa Isfansyah, 2006, 16 min.
Indonesia, Fiction
Little Secrets
Pol Cruchten, 2006, 86 min
Luxembourg. Drama. Luxembourg with English subtitles.
Director: Pol Cruchten
The kind of movie that’s unafraid to show a dad and son impulsively deciding to skip happily down the street, Pol Cruchten’s sixth feature suggests that Luxembourg’s unfairly neglected film industry, straddling France, Belgium, and Germany, could turn out to be next year’s cinematic discovery.
A witty but guardedly nostalgic look back to Luxembourg in 1962, Little Secrets (Perl Oder Pica) follows how the secrets of adulthood are gradually revealed to Norbi, impish twelve-year-old son of a disciplinarian typewriter merchant (Perl and Pica are the two font choices, in U.S. terms Pica and Elite).
Crass altar boy by day (estimating the tips he’ll earn serving at funerals), he’s a miserable bedwetter by night who gives pep talks to his bladder (“No puddles tonight!”), alas with little success. Trying to crack a mysterious code of secret references in his father’s account books, Norbi must also endure his mother’s excruciatingly solicitous talk about the birds and the bees (though he later sneaks into a porn movie which we watch reflected on his cornea, as handsomely and imaginatively shot by Jerzy Palacz).
Hard as it is to credit that anything real happened before he was born, Norbi also discovers that his town still harbors resentments about wartime Nazi collaborators and that an Italian couple are early harbingers of the coming wave of immigrants who will soon outnumber the natives of the grand duchy. [picture: The BritishFilms Catalogue]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Pregi (The Welts)
17:00
27 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Centre Culturel Francais (CCF) - Capacity: 43 seats
Jl. Salemba Raya 25 - T 390 8585, 390 8580
Still
Lucky Kuswandi, 2005, 15 min.
Indonesia, Fiction
The Welts
Magdalena Piekorz, 2004, 91 min.
Poland, Drama, Polish with English subtitles.
Poland's 2005 Oscar submission, the beauty and moral weightiness of the golden age of Polish cinema.
In some ways, Magdalena Piekorz's The Welts isn't much different from The Holy Girl and other films by female directors Jones cites in his review—like Claire Denis's L'Intrus and Chantal Akerman's Demain on démenage—in its unmistakable stubbornness, except the film doesn't so much adhere to private rules or logic but to the dictates of stick-it-to-daddy melodramas like Shine, Swimming Upstream, and Affliction, and if I didn't know The Welts was adapted from the stories of Wojciech Kuczok, I would have gathered that the whole experience of making the film was an exorcism for the director.
To its credit, I can't think of another film so perfectly split in half: The first half of the film (the story of a boy and his horrible relationship to his abusive father) and the second (how that boy becomes exactly like his father and how his rage gets in the way of everything he does) evoke the pages of a book pressed so tightly together that the ink from one side has left an imprint on the other.
As for the image that divides the two parts (a close-up of the adult Wojtek, played by Micha Ebrowski, looking into a bathroom mirror), it's like the glue that bonds these two halves. Which is to say that the film, true to its title, understands the impression the past leaves on the present.
Piekorz's incredible flair for contrast is all over two shots wherein pigeons evoke the relationship of the main character to the world around him, but in spite of The Welts' formalist rigor and attention to the honesty of the relationship between abuser and abused, the film talks down to its audience.
Like the overpraised Affliction, it strains to trace the sins of the father in the sins the son: Like the toothache that plagues Nick Notle in the Paul Schrader film, it's as if Ebrowski's Wojtek never knew he was like his father until the day he catches himself brushing his teeth until his gums bleed.
And if the main character's narration makes for poetic self-reflection, it's not a loveliness that's matched by the one female character in the film, Tania (Agnieszka Grochowska), who exists only to play the role of psychologist and savior.
Grochowska is a fierce performer, but she's scarcely the type that lives only to save broken men. Martel, and Jones for that matter, wouldn't be pleased. - Ed Gonzalez | © slant magazine, 2005. [Picture: slant magazine]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
След края на света (After The End of The World)
17:00
27 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Pusat Kebudayaan Italia
Jl. HOS. Cokroaminoto No. 117 - Menteng - T 392-7531
After The End of The World
Ivan Nichev, 1998, 104 min
Bulgaria. Drama. German with English subtitles.
A funny and woeful story, resembling an old Jewish anecdote, aiming to wrap a comical framework around the dark side of life.
Albert Cohen, an Israeli historian of the Byzantine period, flies to a professional conference in Bulgaria. Here he meets Araksi, an Armenian piano instructor and his first love from the days when Bulgarians, Jews, Armenians, Greeks, Romanians and Turks lived together peacefully in the southern Bulgarian town of Plovdiv.
During those distant days, the Orthodox Priest Isai, the Rabbi Ben David and the Mullah Ibrahim knew that they were praying to the same God. All three men of the cloth were also in love with the same woman, Zulfie, of Turkish extraction. This idyll was destroyed by the socialist regime. The Turks and Romanians were resettled elsewhere, the Jews left for Israel, and Araksi's family was detained after they tried to flee to Paris.
Despite the long years of separation, the relations between Albert and Araksi are still warm. But the landscape of their childhood remains locked in photos of Costas, an old Greek who still lives in Plovdiv. While Albert meets his old friends, a lawyer working for the mafia does everything possible to take control of Albert's old family home...
Ivan Nichev is a graduate of the Lodz Film School and is foremost among Bulgarian directors. His film moves between past and present, against the background of beautiful and picturesque Plovdiv. After the End of the World is a call for humanity and love-not out of naivete or a misunderstanding of reality, but from a deep and sincere sadness. Any thinking person understands that even the fall of communism cannot bring the beauty of those days. Shown at the Jerusalem Film Fest, July 1999, and made its US premiere at the SF Jewish FF in July 1999. Stars the leading Bulgarian actor Stefan Danailov. [picture: The BritishFilms Catalogue]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Europe on Screen 2007
17:00
27 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Goethe Haus - Capacity: 301 seats
Jl. Sam Ratulangi 9 – 15, Menteng, Jakarta Pusat - T 2355 0208
11:59
Johan Kramer, Netherlands 2004, Short 8 Min
Caspian Bride
Veit Helmer, Germany 2005, Short 8 Min
Tragic Story with Happy Ending
Regina Pessoa, Portugal 2005, Short 7 Min
League of Legends
Jeffrey Elmont, Netherlands 2004, Short 12 Min
Mozart Minute
Austria 2006, Short 30 Min, Various Directors
11:59 — Khalid, a young Dutch-Moroccan man, makes a decision at 11:50 one morning that will change his life forever. The film is inspired by ongoing negative media attention on young Arabic people. Superhuman SteadyCam operator Tamas Nyerges shot 11:59 in a single, nine-minute take — setting a new record for European filmmaking.
Caspian Bride — A lonesome man takes a ride to a dump in search for usable things. Hidden under a lot of rubbish he finds an old mannequin. He takes her along to his hut, washes and clothes her and goes on a bike tour through the oil fields. When a group of children runs after him, he collides with a flock of sheep. The mannequin sinks in a puddle of oil. But at that moment he encounters his true love.
Tragic Story with Happy Ending — A little girl whose heart beat more quickly and louder than other people felt compelled to leave her house because she was disturbing her neighbours. She decided however to return to her home and she began noticing that little by little people got used to the beat of her heart…
League of Legends — This film is really just an excuse to show off the skills of its stars. And they are immensely talented, with quite magical skill.
A simple premise, perhaps inspired by TV adverts also starring Edgar Davids, but ultimately too simple, inadequately explored. I wanted more from the film than just showing off the talents of the cast. Those talents would be better served as half-time entertainment in the final of a major tournament.
There is minimal dialogue in the film; there's minimal acting really too. This sparsity helps focus on the skills on display; regrettably it also highlights how little happens in this short film.
Watch it anyway - or fly to Holland and seek out these people. They are something to behold.
Mozart Minute — 28 well-known filmmakers living and working in Austria were invited to produce associative miniatures on Mozart. They had to be one-minute art films.
The directors come from a broad spectrum of different backgrounds, ranging from animated, experimental short film to documentaries and features. As a result the Mozart Minutes represent an impressive cross section of the kind of films produced in Austria and a multifacetted sampler of formal and ontextual views of Mozart and his influence on modern society, art and culture.
[Picture: www.uni-eropa.org/film/]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Filantropica (Philanthropique)
19:30
27 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Goethe Haus - Capacity: 301 seats
Jl. Sam Ratulangi 9 – 15, Menteng, Jakarta Pusat - T 2355 0208
Nae Caranfil, 2002, 110 min
Romania, Comedy
Ovidiu Gorea is a jaded, mid-40s, high-school teacher and novice writer, still living with his parents. He has just published a collection of short stories called 'Nobody Dies For Free', that the bookstores reject because no one buys it.
The high school principal asks him to deal with a problem-student, Robert. Ovidiu has Robert call one of his parents for talks, but the boy sends his sister, Diana, a gorgeous teenager, instead. Ovidiu is smitten. He convinces Diana to go on a date with him, but what he thinks will be a quiet evening over coffee turns into a bar-hopping binge that leaves him nearly broke.
One night, he meets a shabby-looking drunk beggar who offers to recite poems in exchange for vodka. The two start talking and Ovidiu learns that the guy makes two or three times more money than him in a month out of this. He asks for an explanation and the beggar refers him to the Filantropica Foundation.
Located in a desolate basement, the Filantropica Foundation is actually the lair of Bucharest's beggars' leader, Pavel Puiuţ. A former convict, he realized that begging leads nowhere "unless there is a touching story behind the hand that begs", so he created an organized network of beggars, each with an invented, tear-jerking, background story that yields millions. Puiuţ listens to Ovidiu's story and thinks he is perfect for his new "project".
He pairs Ovidiu with Miruna, his secretary, and sends them to high-profile restaurants, where, in collusion with a waiter, they pose as a couple of poor teachers celebrating their wedding anniversary who find, at the end of their dinner, that they don't have enough money to cover the check; Ovidiu is responsible with making a scene that would struck a chord with one of the rich people present, who would pick up their check out of pity; later, out in the back, Ovidiu, Miruna and the waiter would split the money.
After several such performances, Ovidiu makes enough money to impress the material Diana. He rents a roadster, takes her to lakeshore clubs, his sole purpose being sleeping with her. The reluctant Puiuţ even gives him access to the foundation's "show-house" (a day-rental house meant to impress third-parties), but a poorly-timed customer call gives Ovidiu's cover away and an angry Diana leaves him.
Meanwhile, Miruna falls for her partner in crime and is angry that he keeps "bitching" about that "bimbo", instead of going for a "real woman". She manages to get him into her bed and Ovidiu is surprised to find out she is a former prostitute.
The scam goes terribly wrong when Ovidiu and Miruna go to a karaoke bar, where their scene has no effect and the waiter, who is not in on it, takes Ovidiu to the back and beats him. Puiuţ then unveils the grand purpose of his "project": he sets the unsuspecting Ovidiu to appear with Miruna "in character" on a popular TV night show and tell the karaoke bar beating story; he then calls, pretends of being revolted and announces that his foundation has opened an account for people who want to offer money for the "poor teachers".
Meanwhile, in school, Ovidiu is visited by two thugs who ask him about Robert, who owes $3,000 to "a person" and who only has two days to make good. Ovidiu withdraws the amount from the foundation's account, calls Diana and gives her the money for her brother. She pretends being impressed and teases Ovidiu by telling him to visit her later that night. Naturally, she deceives him once more, by leaving the city in the afternoon. To top it off, Ovidiu finds Robert in a park, turned into a beggar, who tells him that "Diana" was not his sister, just some "chick".
Now $3,000 short, Ovidiu goes home to find the media and Puiuţ claiming he has just won the big prize in the lottery. It is again one of Puiuţ's scams, who reminds Ovidiu he "has him" because of the $3,000. Ovidiu accepts his fate and Miruna as his wife.
The movie has an ominous ending, with Puiuţ finding Robert in the street, convincing him to join his operation and then breaking the fourth wall: "Do you feel pity for this piece of trash? Hah! Got your money!".[Picture: www.mooviees.com]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Tytto sina olet tahti (Beauty and the Bastard)
19:30
27 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Erasmus Huis - Capacity: 350 seats
Jl. H. R. Rasuna Said Kav. S-3
Kuningan, Jakarta Selatan
T 524 1069
Find a Beautiful Place
Vera Lestafa & Dwiandhika CD, 2006, 15 min
Indonesia, Documentary
Beauty and the Bastard
Dome Karukoski, 2005, 102 min.
Finland, Musical Drama
An aspiring singer and a dejected DJ find their tenuous relationship may benefit them both if they can look past their creative aspirations far enough
Finnish musical drama "Beauty and the Bastard," about opposites attracting, is plagued by its own internal conflicts. Strong in verbal content but romantically naive, the film seems destined to have trouble finding its targeted teen viewers. Best bet for this hip-hop Romeo and Juliet is an American remake, which, wouldn't seem out of the question given its familiar musical genres and dramatic motifs, and roles that would appeal to tyro Hollywood stars.
Nelli (Pamela Tola, frosty), a talented, privileged brat looking to be the next Beyonce meets Sune (Samuli Vauramo), a promising but uncompromising rap DJ in the offices of a major record companyBut the characters are not sympathetic enough to drive a love story; when opportunity knocks, their instincts are to climb over each other to answer.Dishearteningly, Sune who at first resists the siren song of commercialism eventually comes 'round to Nelli's point of view. Compromise, after all, is what love is all about. Tech credits are unremarkable. [Jon Anderson]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Camaron: When Flamenco Became Legend
19:30
27 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Pusat Kebudayaan Italia
Jl. HOS. Cokroaminoto No. 117
Menteng - T 392-7531
Ijinkan Aku Bernyanyi
Ananto Wibowo, 2006, 10 min.
Indonesia, Documentary
Camaron: When Flamenco Became Legend
Jaime Chávarri, 2005, 86 min.
Spain, Drama - Performing Arts and Biopic
The life of famous flamenco singer Jose Monge Cruz, also known as "Camaron de la Isla."
The film is divided into three periods: the discovery, confirmation and the recognition and farewell.
In each of them, Camarón de la Isla is surrounded by personages from flamenco culture such as Paco de Lucía, Tomatito, Manolo Caracol, Antonio Mairena, Paco Cepero...
They are mixed in with real artists such as guitarist Juan Parrilla, Enrique Pantoja and Jerez-born clappers Chícharo, Gregorio and El Bo.
The part of the movie reflecting his most prolific period presents lights and shadows reflected in his love affairs, his national and international recognition, the recording of albums that revolutionized the performance of flamenco, his wedding with Dolores la Chispa, flirting with drugs and his physical deterioration at a very early age. [Flamenco-world]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Il Caimano (The Caiman)
19:30
27 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Centre Culturel Francais (CCF) - Capacity: 43 seats
Jl. Salemba Raya 25 - T 390 8585, 390 8580
Nanni Moretti, 2006, 112 min.
Italia, Comedy/Drama,
A skewering of Italian Prime Minister Silvio Berlusconi.
Age is the great leveller. It's also a huge joke, not for the muggins suffering its many humiliations, but for those who watch and wait. Failure is also funny, which is why it is impossible to make a comedy about success that isn't saccharine sweet, or a big fat lie.
Nanni Moretti's Il Caimano takes a sideway swipe at Berlusconi, which has proved wildly popular at the Italian box office. However, like all his movies, things are never as simple as they look. There are issues, sub plots, additional storylines weaving and waving their way through the infrastructure.
Copy picture
Bruno Bonomo (Silvio Orlando) is infamous for producing B-movie quickies, with titles like Lady Cop In Stilettos. After marrying the star of his last, worst film, he hasn't made a thing for 10 years. Now he is attempting to finance a low budget epic about Columbus after America, using bathtub galleons and a cast of twenties.
When his backers show him the door and his director, who hasn't worked for 25 years, walks off the set in a huff and his loyal secretary, the only one with any organisational skills, tells him he's in debt to the tune of 40,000 euros and his wife (Margherita Buy) demands a separation, most people would turn their faces to the wall. Not Bruno. He dives deeper into denial and clutches at the only straw within his grasp.
That straw is a script, thrust into his hand by a girl (Jasmine Trinca) with a baby at one of his public screenings. It is an angry left-wing satire on Berlusconi's record as Italy's political leader. Despite being attacked by critics for fascist leanings in his films in the past, he agrees to work with her.
At the same time, he is doing everything to save his marriage, telling elaborately inventive bedtime stories to their two boys, keeping everything light and fun in the hope that the thought of upsetting the family unit will make his wife change her mind.
Orlando's performance is so expressive and heartfelt that Bruno becomes an immensely sympathetic character. There are no villains, only people with separate agendas, and there is no message, only notes from a mid-life crisis.
The script is intelligent and inconclusive on a journey that switchblades from despair to hope to self-delusion, without ever losing a child's talent for play. [Reviewed By: Angus Wolfe Murray]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Friday, October 26, 2007
Tragic Story with Happy Ending
18:30
26 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Goethe Haus - Capacity: 301 seats
Jl. Sam Ratulangi 9 – 15, Menteng, Jakarta Pusat - T 2355 0208
Regina Pessoa, 2005, 7 min
Portugal, Colour, Black and White short film
language: Portuguese (with English subtitles)
Seorang gadis kecil yang jantungnya berdegup lebih cepat dan lebih nyaring dari orang lain merasa terpaksa meningggalkan rumah karena ia terganggu dengan ulah tetangga-tentangganya. Meski demikian, ia berencana untuk pulang ke rumahnya. Ia kemudian mulai memperhatikan bahwa sedikit demi sedikit orang-orang mulai terbiasa dengan degup jantungnya.
Regina Pessoa, lahir di Coimbra pada tahun 1969, lulus dari Universitas Porto. Film ini (film kedua dia setelah THE NIGHT/A NOITE) telah menrima banyak penghargaan internasional (di Portugal, Spanyol, Perancis, Itália, Jerman, Ceko, Austria, Estonia, Kanada, USA, Brazil, Japan, China, Korea dan Australia).
A little girl whose heart beat more quickly and louder than other people felt compelled to leave her house because she was disturbing her neighbours. She decided however to return to her home and she began noticing that little by little people got used to the beat of her heart…
Regina Pessoa, born in Coimbra in 1969, graduated from Porto University. This film ( her second author film after “ The Night/A Noite” ) has received a long series of international awards (Portugal, Spain, France, Italy, Germany, Czech Republic, Austria, Estonia, Canada, USA, Brazil, Japan, China, Republic of Korea, Australia).
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film
Saturday, October 6, 2007
Courts-Circuits
14:15
5-6 Oktober 2007
à courts d’écran fait son Festival
Pesta pendek
Galeri Cipta II
Taman Ismail Marzuki
Jl. Cikini Raya 73
Jakarta Pusat 10330
T. 316 27 80
kurator : Dimas Jayasrana
informasi lebih lanjut : acourtsdecran@ccfjakarta.or.id
Monday, October 1, 2007
L’aria Salat (Salty Air)
19:30
27 Oktober 2007
Europe on Screen 2007
Free ticket available 30 min before opening
Centre Culturel Francais (CCF) - Capacity: 43 seats
Jl. Salemba Raya 25 - T 390 8585, 390 8580
Dear My Daughter
Billy Christian' 2005, 18 min.
Indonesia, Fiction
L’aria Salat
Alessandro Angelini, 2006, 86 min.
Italia, Drama
Fabio is a social assistant in a Roman prison. When a new prisoner arrives, he recognizes his father who abandoned the family when he was a kid. From that moment on he has to reconsider their relationship. An emotionally riveting study of abandonment, remorse and father-son relations.
A young prison officer has the task of deciding whether inmates are allowed temporary release from jail, due to particular personal circumstances. In the course of one such assessment, the young man is shocked to discover that the inmate he is interviewing is apparently his long lost father. The father is a gangster who is imprisoned for murder and the prison officer is torn by mixed emotions as to whether to reveal the truth and try to build some form of new relationship with his missing parent. Although there are undoubtedly some prison genre crime movie elements to L'aria salata, this is not in any sense a clichéd thriller, rather a subtly nuanced, confidently realised and superbly performed drama about father and son relationships in extreme circumstances. So, when the prison officer makes the decision, against the wishes of the rest of the family, to engage with his father, the results are by turns rewarding, frustrating and emotionally challenging. A small but perfectly moulded story that marks a confident debut for its director and a reward for those who discover it. [Picture: seattlefilm]
“Europe on Screen” Secretariat
c/o Goethe-Institut Jakarta
Jl Sam Ratulangi 9-15, Jakarta 10350
Tel +62 21 2355 0208
Fax + 62 21 2355 0021
E-mail: prakt1@jakarta.goethe.org
Website: http://www.uni-eropa.org/film